A scientific education leads her to graduate with honors from the Faculty of Engineering, a mathematical mind, a passionate spirit and eyes that look at the world through a kaleidoscope.
The continuous struggle between logic, instinct and dream that pervades her, leads her to lead an energetic life marked by a constant metamorphosis.
Vigorous emotions, exalted perceptions, extreme feelings against a lucid and placating rationality that must necessarily keep everything in order, under control.
She is deeply fascinated by the human mind, by its Machiavellian mechanisms, she loves to take inspiration from the unknown, pushing herself from time to time in search of an empathic contact with all that is new and unconventional.
The reflection on man and the essence of life takes shape in his pictorial expression.
Works that go beyond the purely figurative aspect, do not photograph objects or subjects but abstractions, concepts, moods, mechanisms, actions and reactions, ways of being and appearing.
His thought comes from the meditation on the relationship between man and the universe, meaning the universe as the curtain of life proper to each individual.
Try to understand how much man can be an active subject in determining his own essence and in the choices that condition and determine his life.
Man as an entity that continually filters and discretizes the inputs he receives, actively choosing which solicitations to respond to, man as a passive entity in his apparently free choice but concretely conditioned by the universe he inhabits.
Hence the restlessness of the individual, conscious or unconscious, which derives from his dual active and passive nature; trepidation that leads man to react systematically most of the time following universal behavioral automatisms.
Each subject projects his own state into the universe and captures an individual objectivity from the universe itself.
Man is therefore subject to determine himself in physical and temporal space, moved by the prevailing inclination of the moment, thus affirming his eclectic nature and thus defining his life in the making.
The investigation into the versatile nature of man together with life in the making becomes the keystone of his pictorial reflection.
Earthly life as a constant contrast between impetuous different energies, as a continuous search for a balance, as a persistent struggle between forces that vigorously tend towards self-affirmation, which tend to override the other.
Thus his reflection materializes and manifests itself in his own pictorial work with the representation of restless unconscious.
The figure of the naked man, his earthly nature, swirling energies, symbolic elements, contrasts, full and empty, materiality and lightness, are constants in his expressive language.