"alchemy throne"

The works included in the "Alchemy Throne" chapter formally evoke the shape of a seatless chair, characterized by knots and intertwined ropes. The work can be interpreted as a symbol of the duality of the human being.

The chair, as a functional and everyday object, represents the materiality and concreteness of our earthly existence. It is the place where we sit to reflect, to rest, to interact with others. But at the same time, the chair also has a deeper symbolic meaning. It represents our ability to find balance, a profound equilibrium between body and spirit, between materiality and the essence of the soul.

The work therefore invites us to reflect on our contradictions, on our internal conflicts between the material and spiritual worlds, between our corporeality and our divine spark. It reminds us that, despite our earthly and limited reality, we are also capable of elevating our thoughts and emotions towards something greater and more universal. The chair lacks a seat precisely to lead the viewer into a non-material dimension devoid of corporeal gravity.

Material and spiritual life coexist in a dimension of conceptual levitation and are characterized and connected by bonds, sometimes material, sometimes emotional, which determine and condition our essence, bonds that represent the superstructures of the universe that here materialize with the medium of the work, that is, in the interweavings and knots of the peaks.

This work invites us to explore the ambiguity of reality and question our certainties and beliefs. The seatless chair pushes us to look beyond appearances, to glimpse new horizons of meaning, challenging our perceptions and opening our minds to new possibilities for interpretation and understanding.